The Max Reddick Experience

Babylon Girls: Black Women Performers and the Shaping of the Modern
Babylon Girls is a groundbreaking cultural history of the African American women who performed in variety shows—chorus lines, burlesque revues, cabaret acts, and the like—between 1890 and 1945. Through a consideration of the gestures, costuming, vocal techniques, and stagecraft developed by African American singers and dancers, Jayna Brown explains how these women shaped the movement and style of an emerging urban popular culture. In an era of U.S. and British imperialism, these women challenged and played with constructions of race, gender, and the body as they moved across stages and geographic space. They pioneered dance movements including the cakewalk, the shimmy, and the Charleston—black dances by which the “New Woman” defined herself. These early-twentieth-century performers brought these dances with them as they toured across the United States and around the world, becoming cosmopolitan subjects more widely traveled than many of their audiences.
Investigating both well-known performers such as Ada Overton Walker and Josephine Baker and lesser-known artists such as Belle Davis and Valaida Snow, Brown weaves the histories of specific singers and dancers together with incisive theoretical insights. She describes the strange phenomenon of blackface performances by women, both black and white, and she considers how black expressive artists navigated racial segregation. Fronting the “picaninny choruses” of African American child performers who toured Britain and the Continent in the early 1900s, and singing and dancing in The Creole Show (1890), Darktown Follies (1913), and Shuffle Along (1921), black women variety-show performers of the early twentieth century paved the way for later generations of African American performers. Brown shows not only how these artists influenced transnational ideas of the modern woman but also how their artistry was an essential element in the development of jazz.

Babylon Girls: Black Women Performers and the Shaping of the Modern

Babylon Girls is a groundbreaking cultural history of the African American women who performed in variety shows—chorus lines, burlesque revues, cabaret acts, and the like—between 1890 and 1945. Through a consideration of the gestures, costuming, vocal techniques, and stagecraft developed by African American singers and dancers, Jayna Brown explains how these women shaped the movement and style of an emerging urban popular culture. In an era of U.S. and British imperialism, these women challenged and played with constructions of race, gender, and the body as they moved across stages and geographic space. They pioneered dance movements including the cakewalk, the shimmy, and the Charleston—black dances by which the “New Woman” defined herself. These early-twentieth-century performers brought these dances with them as they toured across the United States and around the world, becoming cosmopolitan subjects more widely traveled than many of their audiences.

Investigating both well-known performers such as Ada Overton Walker and Josephine Baker and lesser-known artists such as Belle Davis and Valaida Snow, Brown weaves the histories of specific singers and dancers together with incisive theoretical insights. She describes the strange phenomenon of blackface performances by women, both black and white, and she considers how black expressive artists navigated racial segregation. Fronting the “picaninny choruses” of African American child performers who toured Britain and the Continent in the early 1900s, and singing and dancing in The Creole Show (1890), Darktown Follies (1913), and Shuffle Along (1921), black women variety-show performers of the early twentieth century paved the way for later generations of African American performers. Brown shows not only how these artists influenced transnational ideas of the modern woman but also how their artistry was an essential element in the development of jazz.

Notes

  1. ovahness reblogged this from soulbrotherv2
  2. naturalmannequin reblogged this from lionheartedsubstance
  3. lionheartedsubstance reblogged this from heartofmusik
  4. mylavaland reblogged this from black-culture
  5. gummymer reblogged this from geekbap
  6. askmenomore reblogged this from black-culture
  7. paperandcotton reblogged this from karnythia
  8. chrissycheri reblogged this from black-culture
  9. rebellious-bird reblogged this from yupimstillsingle
  10. beep-boop-buzz reblogged this from karnythia
  11. chemman9 reblogged this from soulbrotherv2
  12. opsidian reblogged this from soulbrotherv2
  13. chroniclesofathugnerd reblogged this from talesofthestarshipregeneration
  14. kemetic-dreams reblogged this from talesofthestarshipregeneration
  15. thatgirlcj reblogged this from black-culture
  16. sunny1 reblogged this from geekbap
  17. hellolovelyscientist reblogged this from talesofthestarshipregeneration
  18. jessawildflower reblogged this from talesofthestarshipregeneration
  19. unfilteredloving reblogged this from soulbrotherv2
  20. frank-e-shadow-tongue reblogged this from talesofthestarshipregeneration
  21. geekbap reblogged this from talesofthestarshipregeneration
  22. cantbelieveididthis reblogged this from talesofthestarshipregeneration
  23. talesofthestarshipregeneration reblogged this from wrcsolace
  24. wrcsolace reblogged this from blackamazon
  25. helenaisis reblogged this from dangercupcakemurdericing